Magic Lantern raw video: How I shoot and edit on the run

Last year, the wizards at Magic Lantern enabled raw recording on Canon DSLR’s.  Raw is the same lossless format used by the highest-end cinema cameras like RED and Arri Alexa.  It’s a breakthrough in image quality, but the painfully tedious workflow and

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Optimizing Film Grain for Web Output

Adding film grain gives character to the images created by DSLR’s and video cameras.  It can create moods, evoke an era, or just give a sense of style.   However, It can be frustrating to optimize film grain for Youtube, Vimeo, and

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Steadicam shooting without the Steadicam

Ever wanted to get that cinematic Steadicam look to your walking shots without using any gear other than your camera and your bare hands? I’ve developed a technique for shooting smooth tracking shots by stabilizing in post with Adobe Premiere CS6 Warp

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Adobe CS6 catching up to FCP X – Launching Online at 10am PST!

Editing on the run is about to get easier for Adobe users.  Looks like they’re playing catchup to some of my favorite time-saving features in FCP X: click-less scrubbing of clips, timecode-less audio syncing, image stabilization without bouncing out to After Effects,

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