Converting 60p or 30p footage to smooth 24p: a quick guide

24 frames per second has long been the standard frame rate for film production.  30fps and 60fps have a distinctly “video” look, which is often undesirable.  So how do you achieve this cinematic look if your camera only shoots 60 or 30fps,

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How to film your Vegas fling and get away with it

Last fall, I was approached by VivaVegas.tv, a Las Vegas events promotion company, to create a branded video about one of their nightclub parties at Haze.  I’ve never had a particular interest in shooting at clubs, or events of any kind, because

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The $350 docu-filmmaking kit: Depreciation is Wonderful

Last week, I went out with some friends for yet another night on the town.  I brought along my Sony NEX-5n with a Nikon 50mm f/1.8 pancake lens and made the short “Tuesday”. I recently discovered that this combo can be bought

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Wider, Brighter, Cheaper? Metabones Speed Booster + Nikon Manual Lenses

Last night I hit the town to test out the Metabones Speed Booster on my Sony NEX-5n with some old Nikon manual lenses.  For the uninitiated, the Speed Booster is the “Holy Grail” adapter that allows any NEX camera to accept full-frame Canon

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Skip the ND (Neutral Density) Filter and add your motion blur back in post

Neutral Denstiy Filters are a pain to use. From storing them, to attaching and removing them from the camera, to adjusting them to changing lighting conditions, they add significant hassle to video production.  For the un-initated: we use ND’s to cut down

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Your Sony RX100 can go aerial for about $700 with the DJI Phantom

Quadcopters, those mini-helicopters that fly cameras with amazing fluidity, have been around for a while.  But their cost and complicated operation has kept them out of the reach of non-helicopter experts until recently . Enter the DJI Phantom: a low-cost, backpack-sized, pre-built

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“Roadside” – Impromptu GH2 Short Film

I’m currently on a reality shoot in Texas and had my Panasonic GH2 along for interviews.  During a drive from San Antonio to Austin, I got an itch to go jogging and pulled off at a random exit.  I noticed the wind

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Handheld Filmmaking with Dual Cameras, Part One: Production Gear

I’ve been doing a lot of “dual-cam” documentary shooting over the last several months. By dual-cam, I mean filming two angles at once by operating two handheld cameras.  The main advantage of this is being able to record both characters in a

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Sony’s sexiest camera ever? Full-frame sensor, 1080p and almost pocket-sized

The full-frame big brother of my favorite pocket photo/video camera, the Sony RX100, is arriving around December 14th. The RX1 will feature the same massive sensor used in Sony’s top-of-the-line SLT-A99, but it will weigh one pound and be small enough to fit in

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Filmmaking with just one lens

While it can be tempting to bring a wide arsenal of lenses on a shoot, sometimes you really only need one.  Being restricted to a single focal length forces the filmmaker to think creatively about framing, and provided you’re using a “normal”

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